Making Smoke Building Trade & Trust by John Buxton - Greenwich Workshop
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"Making Smoke: Building Trade and Trust" by John Buxton
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"Making Smoke: Building Trade and Trust" by John Buxton




Making Smoke: Building Trade and Trust
by John Buxton

Early Eastern fur trade was beneficial to both Native American and European powers. Many people of the various Algonquin and Iroquois Nations brought their furs to exchange for blankets, cooking pots, knives, axes, guns and powder, cloth, metal trinkets and other trade goods. The Europeans established large trade centers along rivers and the Great Lakes where the Indians could bring vast quantities of deer, beaver, fox and other animal hides to swap and bargain for those beneficial goods held by the Dutch and later, the English and French.

However, there were numerous less formal trades and trade sites where one or more local Indians might agree to parley a favorable exchange with an independent trader. John Buxton has chosen to show this exchange. Several Natives have come by canoe with a few good furs and the French trader has laid out some of his goods. There is a hint, judging from two French artillery men standing in the background, that perhaps this scene may not be very far from a French fort or trading post.

Things appear to have gone well. The Frenchman has accepted an offer to “pass the pipe” among the friendly negotiators. They have, in turn, accepted him as dealing with them fairly and this making of smoke is their way of acknowledgement. Both parties are expressing an interest in many future exchanges.

"Making Smoke: Building Trade and Trust" by John Buxton

Sizing & Pricing

Greenwich Workshop
Fine Art Giclée Canvas:

limited to 35 s/n. 24"w x 18"h. $395 


MasterWork™
Greenwich Workshop
Fine Art Giclée Canvas:

limited to 10 s/n. 40"w x 30"h (unstretched). $850 





 



About John Buxton

John was born and raised in the small town of Oxford, NC. From childhood, he excelled at drawing and painting. After two years of general college in his home state, he traveled to Los Angeles to earn his BPA degree in illustration from the Art Center College of Design.
John was a successful illustrator for 31 years, working in Detroit, Cleveland and finally Pittsburgh where he met and married a cute receptionist named Noralee. During this period, Buxton worked for several advertising studios but in 1983, he formed John Buxton Illustration, Inc. On of his clients was the National Geographic Society (book division and World magazine) where John developed a fascination with their dedication to documentation and research, insuring that all artwork was as correct as possible. This impressed on him the realization that most of his adverting illustration had been “throw away art” and perhaps there was another type of art that may be held in higher regard. Thusly, in 1994, Buxton put aside the requests of Art Directors to begin painting subjects more to his interests and hopefully of more validity. He wasn’t quite sure, however, with so much to choose from, just which subject matter he was going to paint.
John soon began exhibiting his new oil paintings, placing two works in the Birds in Art Show at the Leigh Yawkey Woodson Art Museum. These two paintings were later reproduced in The Best of Wildlife Art, Volume 2 by Rachael R. Wolf, published by Northlight Books. John also tried the National Park Service’s annual competition, Art for the Parks placing in their Top 100 and included in their traveling show. The Society of Animal Artists elected him to membership and invited him to exhibit in their national snows. He also exhibited with the American Academy of Equine Artists before settling into his true niche-Historical Art.
Buxton’s historical images of the 18th century depicting scenes from the birth of our Nation, allowing “witness” to momentous events or experiencing everyday life on the frontier allowing American history to come to life. His compassion and enthusiasm for historical accuracy has propelled him to great heights of recognition. Numerous museums and historical sites permanently display his extensively researched paintings. Several documentary films have chosen his art to enhance their programs. A program, using John’s paintings to inspire students with our heritage, was developed on disc to be distributed to schools and teachers.
John’s paintings have been featured within scores of genre magazines. Feature articles have appeared in US Art magazine, Westsylvania magazine, America’s First Freedom and Art of the West magazine featuring John’s paintings and insight into their creation. The Artists Magazine’s annual Art Competition awarded Buxton’s painting, How Many Beaver? first place in the 2005 Portrait/Figure division from over 4,000 entries. It was featured on the cover in December.
In the past, most of John’s art was painted as private commissions. He endeavors to produce more paintings each year for select shows, such as The Masters Invitational at the Autry Museum in Burbank, CA and the Eiteljorg Museum’s Quest for the West show in Indianapolis.

 

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