Captain Alan Bean was the lunar module pilot on Apollo 12, the fourth
man to walk on the moon and
commander of Skylab 2. I am fortunate enough to have seen
sights no other artist ever has, Bean says.
I want my paintings to communicate an emotional experience
in ways that photography cannot.
Captain Bean creates his original works of art using a unique technique
allowing the viewer to actually sense vestiges of the 20th centurys
most dramatic accomplishments. Pressed into the canvas

surfaces
are Captain Beans authentic lunar boot moonprints,
impressions from a core tube-bit used to collect soil samples and
marks from a hammer used to drive the staff of the American flag
into the moons surface. Moon dust, trapped on the patches
on the outside of his suit, makes its way onto each original as
well.
Each print and canvas is an historical record of the lunar experience,
as each is signed by moonwalker Captain Alan Bean, with most countersigned
by other moonwalkers and astronauts.This may be your only chance
to own such a visionary and historic celebration of mans greatest
achievement. NASA was sometimes asked Why not send an artist
to the moon? It turns out they did.

To
add to the unique character of his paintings, the base layer of
Alan Bean's originals contain a textured surface that is literally
out of this world.
by Alan Bean
The Falcon is on the Plain at Hadley. These were the
first words heard back on Earth when Dave Scott and Jim Irwin made
their landing in July 1971. Falcon had alighted them on a scientific
bonanza.As Dave looked around from Falcons overhead hatch,
he thought, No place on Earth has such a concentration of
features.There were mountains taller than Everest (relative
to their surroundings) and a meandering
gorge a mile across, a thousand feet deep and seventy miles long.
Lunar exploration had come a long way since Neil and Buzz made their
first moonwalk just two years earlier. Dave and Jim had the lunar
rover, a moon car that would make possible five times the total
surface exploration of the three previous missions combined; and
they had improved space suit backpacks which allowed them to stay
outside their spacecraft nearly twice as long as any of us who had
flown earlier.
I have painted Dave Scott, a good friend and skilled explorer, at
the pinnacle of his astronaut career. In his own words, We
went to the Moon as trained observers in order to gather data, not
only with our instruments on board, but also with our minds. Plutarch,
a wise man who lived a long time ago, expressed the feelings of
the crew of Apollo 15 when he wrote the mind is not a vessel
to be filled, but a fire to be lighted.
Greenwich Workshop Fine Art Giclée
Canvas:
limited to 100 s/n.
18"w x 27"h.
$650 | $825 CDN | £415 + VAT
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by Alan Bean
Countersigned by: Capt. Charles "Pete" Conrad, Jr. Apollo
XII
Capt. Richard F. Gordon, Jr. Apollo XII
Print: limited to 1000 s/n.
23 3/4"w x 15 3/4"h.
$385 | $470 CDN | £289 + VAT
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by Alan Bean
Countersigned by Eugene A. Cernan and Edgar D. Mitchell.
Print: limited to 550 s/n.
29"w x 16"h.
$345 | $510 CDN | £240 + VAT
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by Alan Bean
Countersigned by 24 astronauts of the Mercury, Gemini, Apollo, Skylab
and Apollo-Soyuz programs.
Textured canvas:
limited to 1500 s/n.
27"w x 34"h.
$2200 | $3080 CDN | £1575 + VAT
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by Alan Bean with Andrew Chaikin, introduction by Senator John Glenn
Hardcover: 176 pages
$45 | $69.95 CDN | £30
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