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Inspired by the world's myths, fables and tales of imagination,
James C. Christensen wants his work to add up to more than a
beautiful - if sometimes "curious" looking work of
art. Having taught art professionally for over 20 years, he
likes to think of the world as his classroom. His hope is that
through whatever he creates-be it a porcelain, fine art print
or book-he can convey a message, inspiration or a simple laugh.
He believes that teaching people to use their imagination helps
us find solutions to sooth the stresses of everyday life-or
get a little lift to help us keep going. In short: all things
are possible when you share Christensen's philosophy that "Believing
is Seeing."
Christensen was born in 1942 and raised in Culver City, California.
He studied painting at Brigham Young University and, for a while,
the University of California at Los Angeles before finishing
his formal education at BYU. Since then, he has had one-man
shows in the West and the Northeast and his work is prized in
collections throughout the U.S. and Europe.
The artist has been commissioned by both Time/Life Books and
Omni to create illustrations for their publications and his
work has appeared in the prestigious American Illustration Annual
and Japan's Outstanding American Illustrators. Christensen has
also won all the professional art honors the World Science Fiction
Convention can bestow, as well as multiple Chesley Awards from
the Association of Science Fiction and Fantasy Artists.
Christensen's fine art now appears as works of art in porcelain
from The Greenwich Workshop® Collection, artist-inspired
products such as note cards, silk ties and several books: A
Journey of the Imagination (1994), the adventure fantasy
Voyage of the Basset - adapted for television by Hallmark's
Odyssey Channel as the Voyage of the Unicorn, Rhymes &
Reasons (1997), Parables (written by Robert Millet,
1999), The Personal Illumination Series and The Personal
Illumination Journal (2000), a series of interactive journals
and A Shakespeare Sketchbook (2001).
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