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James C. Christensen - WHEN FAERIES TALK TO FISHES -  HAND COLORED PRINT Published by the Greenwich Workshop

by James C. Christensen


Limited Edition of: 200
Image Size: 16"w x 12"h.
Published: June 2003

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From the Magic Fish Studio, the home of James Christensen, comes this sophisticated yet whimsical piece of fine art. It sprang to life as an unfinished verse in the artist’s sketchbook:

"When Faeries talk with Fishes, both express their wishes

When Fishes talk to Faeries, the conversation varies . . . ."

Soon a drawing appeared above the unfinished lines of the poem. The magic of the initial muse carried over into the decision to create the work as an original stone lithograph. It is a stone lithograph because James actually drew the image on a 300 lb. limestone. This is all the more impressive considering the image is created in reverse onto the stone. The image is transferred from the stone onto a sheet of fine watercolor paper by hand on a lithographic press. The final stone lithograph is considered an original because this image does not exist as we see it until the lithograph is produced.

Hand-tinting original stone lithographs predates color printing. That the color work on each is added by hand enhances the concept of each being an original; no two are exactly alike. Further, we are able to offer the lithograph tinted with either amber or pastel hues.

James C. Christensen
James C. Christensen was born in 1942 and raised in Culver City, California. He studied painting at Brigham Young University as well as the University of California at Los Angeles before finishing his formal education at BYU. Since then he has had one-man shows in the West and the Northeast and his work is prized in collections throughout the United States and Europe. Opulent, colorful, Shakespearean, extraordinary: All words that aptly portray Christensen’s most popular artworks that have also been described as “creations from the land a little left of reality.” He has created a Shakespearean Island, an entire undersea world and a village of Mother Goose characters. But when he isn’t giving life to other’s worlds, he paints a place of his own. The result is a unique kinetic kingdom where recognizable human emotions are often manifested as fish or fowl, utilizing the viewer’s own imagination as no other artist can. His art includes unique people, places and things that exist somewhere between adult dreams and childhood memories. “I don’t think of myself as a fantasy artist,” said Christensen. “I certainly have an affinity for myths, fables and ancient lore, but I also find time to create landscapes and other subjects which include commissions. Recent projects, for example, include a mural commission for a conference center in Nauvoo, Illinois, a poster for the 2001 Utah Shakespearean Festival and a sculpture for Nu-Skin. “What’s truly important to me is that my art is introspective and in turn challenges the mind’s eye of those who view it regardless of the subject matter.” The artist has been commissioned by both Time/Life Books and Omni to create illustrations for their publications and his work has appeared in the prestigious American Illustration Annual and Japan’s Outstanding American Illustrators. Christensen has also won all the professional art honors the World Science Fiction Convention can bestow, as well as multiple Chesley Awards from the Association of Science Fiction and Fantasy Artists. Christensen’s fine art appears as works of art in porcelain and brass from The Greenwich Workshop Collection; artist-inspired products such as note cards, silk ties and books are also available. His first book, A Journey of the Imagination: The Art of James Christensen, was published to great acclaim in 1994. His second, the adventure fantasy Voyage of the Basset, has more than 75,000 copies in print. His subsequent book include the inventive Rhymes & Reasons, published in May 1997, Parables (written by Robert Millet, 1999), The Personal Illumination Series and The Personal Illumination Journal (2000), a series of interactive journals, A Shakespeare Sketchbook (2001) and James Christensen, Foremost Fantasy Artist (2001). Christensen was recently designated as a “Utah Art Treasure,” one of Utah’s Top 100 Artists by the Springville Museum of Art and received the Governor’s Award for Art awarded by the Utah Arts Council recognizing the significance of Christensen’s artwork to Utah’s cultural communities. He was inducted into the U.S. Art magazine’s Hall of Fame. Jim and his wife, Carole, co-chair the Mormon Arts Foundation.


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