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“What would it be like to quietly sneak up on the site of a wolf den and see the pack unbothered, just being wolves? I wanted people to see this side, the side that keeps a pack or family of wolves strong and tight. They’re not much different from our own families on a summer afternoon. There is devotion and interest in the children’s activities, tender touches, tough play and a sharing of the pups. This is a peaceful afternoon, where the only things disturbing the wolves are the constant clucks and cackles of the crows and the buzzing of mosquitoes around their ears. This is a place where the slow moving of shadows lulls us into sweet naps and dreams.”
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Wildlife artist Bonnie Marris’ fascination with animals began at an early age
when, at the age of two, she spent hours in front of the wolf cage at the zoo,
enraptured by the animals within. The attention to detail evident in her work
is a consequence of long hours studying her subjects in the field and her
background in illustration.
Bonnie Marris has taken an unusual path into art; she developed her talent by
portraying animals “from the inside out.” While she was a student at Michigan
State University, Bonnie illustrated several major books. One volume she
worked on was a leading expert’s mammalogy text that contained several hundred
drawings and detail studies. This massive project attracted the attention of
noted zoologist George Schaller, who invited Bonnie to prepare the art for
posters that would support his worldwide rare animal relief programs.
In addition to her accomplished skill at rendering her subjects and evident
affinity for the wild, Marris’ painting requires frequent and substantive
field experience.
Each year, Bonnie makes two major trips, and countless smaller ones, to
observe and learn about the wildlife she loves.
In 1980, one such voyage took her to Alaska, where she lived in the wilderness
for six months. She recounts, “To get into a natural environment and see the
animals on their own terms is as important as knowing the animals themselves.
For instance, gray wolves on the tundra—the vast, vast tundra with the wind
and other forces of nature at their most extreme—that’s what makes them what
they are. To stand not far from a grizzly that is so overpowering, so
beautiful and so large . . . to watch it pull up a small tree with a swipe of
its paw and just a few minutes later see it delicately picking blueberries
with its black lips. . . Alaska changed me; it gave me the biggest incentive
to paint and increased my interest in the predators: the cats, bears, coyotes,
wolves and foxes. They exist on so many levels. Their moods show in their eyes
and we can learn so much from them.”
Marris’ works were selected for the 2002-2005 Gene Autry Museum of Western
Heritage Show.
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