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Alan Bean - One Lucky Guy -  SMALLWORK CANVAS EDITION Published by the Greenwich Workshop


          One Lucky Guy
by Alan Bean

$235.00

SMALLWORK CANVAS EDITION
Limited Edition of: 80
Image Size: 9"w x 12"h.
Published: February 2012

(This item ships Gallery Wrapped.)


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“It seemed I could run forever on the Moon and my legs would not get tired,” recollects Apollo 12 moonwalker Alan Bean. “There was a reason, however. On Earth I weighed about 150 pounds and the suit and backpack another 150 pounds. On the Moon, with its one-sixth gravity, my equipment and I only weighed a total of 50 pounds. This light weight made me feel as if I were super strong - that I could run forever.”

“Time on the Moon was limited so we learned quickly how to run in a spacesuit. The suit is hard to move at the knee and hip joints. Moving about is most readily accomplished by keeping the legs relatively stiff and using mostly an ankle motion. It feels and looks as if you are dancing on tiptoe. If I could bring that one-sixth gravity field back to Earth, I could win the Boston Marathon - my legs would only have to carry 25 pounds.”

Over 40 years ago, on November, 14, 1969, Lunar Module Pilot Alan Bean, with fellow Apollo 12 astronauts, Commander Charles “Pete” Conrad and Command Module Pilot Richard Gordon, left Earth for the Moon. Five days later on Nov. 19, Bean stepped off the lunar module Intrepid and onto the Moon’s Ocean of Storms and became the fourth human to walk on another planet.

Alan Bean paints the Apollo missions from a perspective no other can: as one who has been there. In March, 2012, Capt. Bean celebrated his 80th birthday. We’ve set the edition size of the self-portrait "One Lucky Guy" at 80 pieces as a tip of the hat to this event. This Fine Art Canvas Edition is a superb example of Alan’s unique lunar painting style and features Bean himself on the Moon. This edition is personally signed by astronaut, moonwalker and the First Artist on Another World, Capt. Alan Bean.




Alan Bean
Twelve people have walked on the moon. Only one was an explorer artist, Alan Bean—Apollo XII astronaut, commander of Skylab II and artist. Born in 1932 in Wheeler, Texas and in 1950, Alan was selected for an NROTC scholarship at the University of Texas at Austin. Alan was commissioned an ensign in the United States Navy in 1955. Holder of eleven world records in space and astronautics, Alan Bean has had a most distinguished peacetime career. His awards include two NASA Distinguished Service Medals, the Yuri Gagarin Gold Medal and the Robert J. Collier Trophy. As part of the Apollo XII crew, he became the fourth of only twelve men ever to walk on the Moon. As the spacecraft commander of Skylab Mission II, he set a world record: 24,400,000 miles traveled during the 59-day flight. When he wasn’t flying, Bean always enjoyed painting as a hobby. Attending night classes at St. Mary’s College in Maryland in 1962, Alan experimented with landscapes. During training and between missions as a test pilot and astronaut, he continued private art lessons. On space voyages, his artist’s eye and talent enabled him to document impressions of the Moon and space to be preserved later on canvas. A voracious student, Alan began to immerse himself in polishing his talent with the same intensity he gave to his astronaut training. Inspired by the impressionists and studying under contemporary masters, he is a first-rate artist who is as comfortable rendering sharp realism as he is with portraying subtle emotions through a faceless spacesuit— but there's a bonus: As the only artist who has visited another world, Bean paints with an authenticity and insight completely unique in the entire history of art by creating a palette mirroring his artistic eye. His is a personal portfolio of the golden era of space exploration as viewed by the only artist who has BEEN there. His art reflects the attention to detail of the aeronautical engineer, the respect for the unknown of the astronaut and the unabashed appreciation of a skilled explorer artist. The space program has seen unprecedented achievements and Bean realized that most of those who participated actively in this adventure would be gone in forty years. He knew that if any credible artistic impressions were to remain for future generations, he must paint them now. “My decision to resign from NASA in 1981 was based on the fact that I am fortunate enough to have seen sights no other artist ever has,” Bean said, “and I hope to communicate these experiences through art.” He is pursuing this dream at his home and studio in Houston. Bean’s book, Apollo: An Eyewitness Account, which chronicles his first-person experience as an Apollo astronaut and explorer artist in words and paintings, was received with critical and popular acclaim upon its publication in 1998.

 

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