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James C. Christensen - Two Sisters -  ANNIVERSARY DIPTYCH CANVAS Published by the Greenwich Workshop


          Two Sisters
by James C. Christensen

$695.00

ANNIVERSARY DIPTYCH CANVAS
Limited Edition of: 200
Image Size: 14"w x 23"h.
Published: March 2012


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“Homer tells us that ‘winged words’ are successful communications,” begins James Christensen, “and that words without wings are not as well understood and do not have the power to touch or move a listener. 'Two Sisters' was created as part of a show I put together, "Winged Words," which was based on this idea of communication and on our attitudes towards each other.

“It began on a trip to Italy. I was intrigued by the Fra Angelico frescoes painted in the monks’ cells in the Church of San Marco in Florence. Many of the paintings had words of scripture, written in Latin, issuing from the mouths of the characters. I became fascinated with the idea, so much so that it became the theme for an entire show.”

“The first idea that came to me for the diptych "Two Sisters" was somewhat cliché: the poor woman is virtuous and the rich woman, elitist; one good, one bad. But, then I thought about the inherent worth of all people, the wealthy as well as the poor. Both have gifts to offer to the world, each giving according to their ability. This is symbolized by the flowers and Latin words hovering above the outstretched hands.

“The ornately adorned woman balances a strawberry plant which symbolizes the good works of a righteous person. Notice that the fruit itself is not quite ripe as her gifts to the world have not yet been fully realized. The Latin reads 'Caritas:' the rich sister can offer charity. The more meekly attired sister holds a little white violet, a symbol of humility. The Latin above reads 'Spes – Fides:' faith and hope.”

Rich in symbolism, these two paintings make a warm and wise statement: regardless of our specific circumstances, we all have a worthy contribution to make to our world!

James Christensen’s "Two Sisters" Anniversary Fine Art Edition Giclée canvas delivers stretched and as a diptych set. Each panel is 14" x 23." Presented together, they are an impressive statement of beauty and grace.




James C. Christensen
James C. Christensen was born in 1942 and raised in Culver City, California. He studied painting at Brigham Young University as well as the University of California at Los Angeles before finishing his formal education at BYU. Since then he has had one-man shows in the West and the Northeast and his work is prized in collections throughout the United States and Europe. Opulent, colorful, Shakespearean, extraordinary: All words that aptly portray Christensen’s most popular artworks that have also been described as “creations from the land a little left of reality.” He has created a Shakespearean Island, an entire undersea world and a village of Mother Goose characters. But when he isn’t giving life to other’s worlds, he paints a place of his own. The result is a unique kinetic kingdom where recognizable human emotions are often manifested as fish or fowl, utilizing the viewer’s own imagination as no other artist can. His art includes unique people, places and things that exist somewhere between adult dreams and childhood memories. “I don’t think of myself as a fantasy artist,” said Christensen. “I certainly have an affinity for myths, fables and ancient lore, but I also find time to create landscapes and other subjects which include commissions. Recent projects, for example, include a mural commission for a conference center in Nauvoo, Illinois, a poster for the 2001 Utah Shakespearean Festival and a sculpture for Nu-Skin. “What’s truly important to me is that my art is introspective and in turn challenges the mind’s eye of those who view it regardless of the subject matter.” The artist has been commissioned by both Time/Life Books and Omni to create illustrations for their publications and his work has appeared in the prestigious American Illustration Annual and Japan’s Outstanding American Illustrators. Christensen has also won all the professional art honors the World Science Fiction Convention can bestow, as well as multiple Chesley Awards from the Association of Science Fiction and Fantasy Artists. Christensen’s fine art appears as works of art in porcelain and brass from The Greenwich Workshop Collection; artist-inspired products such as note cards, silk ties and books are also available. His first book, A Journey of the Imagination: The Art of James Christensen, was published to great acclaim in 1994. His second, the adventure fantasy Voyage of the Basset, has more than 75,000 copies in print. His subsequent book include the inventive Rhymes & Reasons, published in May 1997, Parables (written by Robert Millet, 1999), The Personal Illumination Series and The Personal Illumination Journal (2000), a series of interactive journals, A Shakespeare Sketchbook (2001) and James Christensen, Foremost Fantasy Artist (2001). Christensen was recently designated as a “Utah Art Treasure,” one of Utah’s Top 100 Artists by the Springville Museum of Art and received the Governor’s Award for Art awarded by the Utah Arts Council recognizing the significance of Christensen’s artwork to Utah’s cultural communities. He was inducted into the U.S. Art magazine’s Hall of Fame. Jim and his wife, Carole, co-chair the Mormon Arts Foundation.

 

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