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James C. Christensen - Guardian in the Woods -  LIMITED EDITION PRINT Published by the Greenwich Workshop


          Guardian in the Woods
by James C. Christensen

$195.00

LIMITED EDITION PRINT
Limited Edition of: 250
Image Size: 27"w x 12 1/4"h.
Published: June 2012


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That touch of enchantment is what makes a great painting a James Christensen. “As a fantasy artist,” he says, “I am fortunate to have such a broad range of icons to play with: Puffy Guys, mechanical things, beautiful women and floating fish. I can find a beautiful place in nature and paint it like a landscape painter but I get to keep going, to magic it up a bit.

“The Guardian in the Woods is a Mother Nature-type guy (I think the two may have been an item at one time). He is the strong, silent type, which is why you may not have heard of him. He watches over the woods and all that lives there. Like Gandolf, we aren’t really sure if he’s mortal or not. He’s looks like a hermit and smells like one, too.

“The inclusion of the Guardian in this scene sends it into the realm of make believe. On a hike I found a white tree that had fallen down. Flowers that looked like bleached crepe paper were growing in the bushes around the trunk. ‘What a great painting this would make,’ I thought. I just had to figure out what to add and wait long enough for the right character to appear. Now he’s visible, but for just a moment, because with a quick tip of his hat he disappears again like Santa Claus.”

The Guardian in the Woods is a delicious landscape with Christensen magic. You can choose the 30" x 14" Fine Art Giclče Canvas and frame it with nothing coming between you and this great piece of art. Or, you can frame the 27" x 12 1/2" Fine Art Giclče Paper under glass. Either way, these rich James Christensen fine art editions are truly fantastic works of art.




James C. Christensen
James C. Christensen was born in 1942 and raised in Culver City, California. He studied painting at Brigham Young University as well as the University of California at Los Angeles before finishing his formal education at BYU. Since then he has had one-man shows in the West and the Northeast and his work is prized in collections throughout the United States and Europe. Opulent, colorful, Shakespearean, extraordinary: All words that aptly portray Christensen’s most popular artworks that have also been described as “creations from the land a little left of reality.” He has created a Shakespearean Island, an entire undersea world and a village of Mother Goose characters. But when he isn’t giving life to other’s worlds, he paints a place of his own. The result is a unique kinetic kingdom where recognizable human emotions are often manifested as fish or fowl, utilizing the viewer’s own imagination as no other artist can. His art includes unique people, places and things that exist somewhere between adult dreams and childhood memories. “I don’t think of myself as a fantasy artist,” said Christensen. “I certainly have an affinity for myths, fables and ancient lore, but I also find time to create landscapes and other subjects which include commissions. Recent projects, for example, include a mural commission for a conference center in Nauvoo, Illinois, a poster for the 2001 Utah Shakespearean Festival and a sculpture for Nu-Skin. “What’s truly important to me is that my art is introspective and in turn challenges the mind’s eye of those who view it regardless of the subject matter.” The artist has been commissioned by both Time/Life Books and Omni to create illustrations for their publications and his work has appeared in the prestigious American Illustration Annual and Japan’s Outstanding American Illustrators. Christensen has also won all the professional art honors the World Science Fiction Convention can bestow, as well as multiple Chesley Awards from the Association of Science Fiction and Fantasy Artists. Christensen’s fine art appears as works of art in porcelain and brass from The Greenwich Workshop Collection; artist-inspired products such as note cards, silk ties and books are also available. His first book, A Journey of the Imagination: The Art of James Christensen, was published to great acclaim in 1994. His second, the adventure fantasy Voyage of the Basset, has more than 75,000 copies in print. His subsequent book include the inventive Rhymes & Reasons, published in May 1997, Parables (written by Robert Millet, 1999), The Personal Illumination Series and The Personal Illumination Journal (2000), a series of interactive journals, A Shakespeare Sketchbook (2001) and James Christensen, Foremost Fantasy Artist (2001). Christensen was recently designated as a “Utah Art Treasure,” one of Utah’s Top 100 Artists by the Springville Museum of Art and received the Governor’s Award for Art awarded by the Utah Arts Council recognizing the significance of Christensen’s artwork to Utah’s cultural communities. He was inducted into the U.S. Art magazine’s Hall of Fame. Jim and his wife, Carole, co-chair the Mormon Arts Foundation.

 

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