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James C. Christensen - The Man Who Minds the Moon -  ANNIVERSARY EDITION CANVAS Published by the Greenwich Workshop

Once again finding inspiration in the works of Shakespeare, James Christensen’s "The Man Who Minds the Moon" originates from a passage in the play "A Midsummer Night’s Dream." From there, the other thirteen of sixteen symbols and references to the moon are the result of his extremely curious and entertaining mind.

“Our fascination with the moon encompasses thousands of years . . . from the dawn of civilization to the exploration of the lunar surface,” explains Jim. “Intrigued by Shakespeare, I set out to capture the mythological essence of man's relationship with the moon. In my quest, I traveled back in time and across continents. 'The Man Who Minds the Moon' incorporates symbolism from astrology, Ancient Babylonia, the Orient, Greece, the natural world, Shakespeare and Medieval Europe.”

"The Man Who Minds the Moon" is a collector favorite because it showcases so many of the things that are loved about Christensen’s art: his style, his personality and layer after of layer of content just waiting to be to be uncovered. This Fine Art Anniversary Edition Canvas is as entertaining as it is beautiful and certain to be the focal point of any room in which it hangs.

There are sixteen moon-related symbols in James C. Christensen's "The Man Who Minds the Moon." Can you find them? (Click here to see the key)

The Man Who Minds the Moon
by James C. Christensen

See the Artist Biography
ANNIVERSARY EDITION CANVAS
Image size: 18"w x 22"h.
Limited Edition of: 125
Originally Published:
September 2014
$395.00

Similar Fine Art Editions
can be found in these
Categories
Fantasy/Fairytale
Fine Art Canvas
Priced $500 Up to $750
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James C. Christensen
James C. Christensen was born in 1942 and raised in Culver City, California. He studied painting at Brigham Young University as well as the University of California at Los Angeles before finishing his formal education at BYU. Since then he has had one-man shows in the West and the Northeast and his work is prized in collections throughout the United States and Europe. Opulent, colorful, Shakespearean, extraordinary: All words that aptly portray Christensen’s most popular artworks that have also been described as “creations from the land a little left of reality.” He has created a Shakespearean Island, an entire undersea world and a village of Mother Goose characters. But when he isn’t giving life to other’s worlds, he paints a place of his own. The result is a unique kinetic kingdom where recognizable human emotions are often manifested as fish or fowl, utilizing the viewer’s own imagination as no other artist can. His art includes unique people, places and things that exist somewhere between adult dreams and childhood memories. “I don’t think of myself as a fantasy artist,” said Christensen. “I certainly have an affinity for myths, fables and ancient lore, but I also find time to create landscapes and other subjects which include commissions. Recent projects, for example, include a mural commission for a conference center in Nauvoo, Illinois, a poster for the 2001 Utah Shakespearean Festival and a sculpture for Nu-Skin. “What’s truly important to me is that my art is introspective and in turn challenges the mind’s eye of those who view it regardless of the subject matter.” The artist has been commissioned by both Time/Life Books and Omni to create illustrations for their publications and his work has appeared in the prestigious American Illustration Annual and Japan’s Outstanding American Illustrators. Christensen has also won all the professional art honors the World Science Fiction Convention can bestow, as well as multiple Chesley Awards from the Association of Science Fiction and Fantasy Artists. Christensen’s fine art appears as works of art in porcelain and brass from The Greenwich Workshop Collection; artist-inspired products such as note cards, silk ties and books are also available. His first book, A Journey of the Imagination: The Art of James Christensen, was published to great acclaim in 1994. His second, the adventure fantasy Voyage of the Basset, has more than 75,000 copies in print. His subsequent book include the inventive Rhymes & Reasons, published in May 1997, Parables (written by Robert Millet, 1999), The Personal Illumination Series and The Personal Illumination Journal (2000), a series of interactive journals, A Shakespeare Sketchbook (2001) and James Christensen, Foremost Fantasy Artist (2001). Christensen was recently designated as a “Utah Art Treasure,” one of Utah’s Top 100 Artists by the Springville Museum of Art and received the Governor’s Award for Art awarded by the Utah Arts Council recognizing the significance of Christensen’s artwork to Utah’s cultural communities. He was inducted into the U.S. Art magazine’s Hall of Fame. Jim and his wife, Carole, co-chair the Mormon Arts Foundation.


 

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