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Tom Gilleon Cascade High Rise Contemporary Western Fine Art Canvas

Robed in White
by R. Tom Gilleon

The last glimmers of light radiate over the Plains as the sun descends below the western horizon. As is common with this time of day, the winds have died down and a becalmed silence envelopes this serene winter landscape.

A skirt high layer of snow and a lack of fresh footprints around this Indian lodge, however, tell the tale of a blustery, snow filled day. “The lower portion of a tipi had a liner that helped to insulate the interior,” relates Tom Gilleon. “Fresh snow would often melt on contact with the upper portion, but could gather “skirt high” on the lower portion where the liner separated it from the warm interior.

“I like the sense of isolationism this lone tipi set against a winter’s landscape gives. If you live out west, the idea that at any given time you find yourself quickly and easily cut off from the rest of the world is something you live with. Edward Hopper always did a wonderful job capturing that in his work.”

Collectors certainly think that Gilleon is doing a wonderful job capturing something special about the West, too. Fourteen of Tom’s releases with the Greenwich Workshop have Sold Out or are in Low Inventory. Already, this 45-piece edition of Robed in White is pre-subscribed at over 50% and will certainly follow the likes of Coeur D’Alene and Early Snow into Sold Out status in short order. This 24" x 20" Fine Art Canvas can be ordered gallery-wrapped for a contemporary art presentation.

Certainly Tom Gilleon is one of the most important painters of contemporary western art today and Robed in White is an exceptional painting within an already impressive body of work. Order before this Fine Art Canvas Sells Out, too.

Sizing and Pricing:

Greenwich Workshop Fine Art Giclée Canvas:
limited to 45 s/n. 24"w x 20"h. $575
(Gallery Wrap available for an additional $30.)  

 

 





About R. Tom Gilleon

“Looking back, I was probably most influenced by the old era art directors and illustrators who had the amazing ability to quickly and simply tell a story or convey a feeling with their artwork. I believe that this simplicity and strength is the key to fine art. Light, color, value, composition and line are paramount in importance.” – R. Tom Gilleon

R. Tom Gilleon’s art is hard to pigeonhole. His interpretations of the American West are genuine and unique. His representations of native teepees are archetypal and primitive in their basic forms yet they are remarkably contemporary in composition with a sprinkling of personal symbols and humor. Gilleon’s work is coveted by collectors, increasingly finding homes in prominent museums and auctions such as the Coeur d’Alene.

Gilleon was born in 1942 and raised in Florida by his grandparents in the tiny outpost of Starke, near Jacksonville and the storied banks of the Suwannee River. His grandfather had immigrated to the United States from Scotland and became a renowned cabinetmaker. His grandmother was a full-blooded Cherokee.

Gilleon earned a scholarship to play baseball at the University of Florida where he took courses in architecture. He served in the Navy in the early 1960s and then worked as an illustrator for NASA’s Apollo space program. Eventually, he went solo as a freelance illustrator based in Orlando and was hired by The Walt Disney Corporation to deliver conceptual sketches and designs for its Disney World theme park. Later, he moved to California to work at Disney’s Imagineering studio which designed Epcot Center and then Gilleon assisted in the planning of Disneyland Tokyo, Disneyland Hong Kong and Disneyland Paris.

The American West left a mesmerizing impact on him as an artist. Gilleon and his wife first built a home along the Dearborn River in Montana, and later purchased a ranch near Great Falls not far from the legendary Old North Trail where native peoples traveled millennia ago from the Arctic to the desert Southwest. Here Gilleon found clusters of teepee rings from encampments which inspire him to contemplate how the camps might have looked centuries ago.

 

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