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"Clean Linen" by Bonnie Marris

Flip through the free Bonnie Marris eBook "Frosty Winter" by Bonnie Marris


"Clean Linen" by Bonnie Marris




Clean Linen
by Bonnie Marris

They say nothing is friendlier than a wet dog. Just the same, a fresh set of sheets can prove to be man’s best friend’s best friend, too. Is it the just washed smell? The crisp, clean feel? The need to lay claim to a new possession? It’s impossible to say. From the look on his face, he certainly knew better, but the temptation was just too strong. 

Miniature art is an important part of any collection and a SmallWork™ is a simple way to either start or add to your collection. Such works are often a collector’s first purchase for the obvious reason, they are less expensive. As single works of art, they can be that final elegant touch in fine décor.  At the other end of the spectrum, a wall of miniatures makes for an impressive display of a collector’s unique range of style and interest.

Each SmallWork is created with the same precision as all Greenwich Workshop Fine Art Editions, signed by the artist and numbered as a collectible limited edition.

"Clean Linen" by Bonnie Marris

 

 

Sizing and Pricing:

Greenwich Workshop
Fine Art Giclée Canvas:

limited to 45 s/n.
15"w x 12"h. $195










About Bonnie Marris

Bonnie Marris has taken an unusual path into art; she developed her talent by portraying animals “from the inside out.” While she was a student at Michigan State University, Bonnie illustrated several major books. One volume she worked on was a leading expert’s mammalogy text that contained several hundred drawings and detail studies. This massive project attracted the attention of noted zoologist George Schaller, who invited Bonnie to prepare the art for posters that would support his worldwide rare animal relief programs. Beyond academic training and emotional involvement, art requires another element for which there is no substitute: experience. Each year, Bonnie makes two major trips, and countless smaller ones, to observe and learn about the wildlife she loves. In 1980, one such voyage took her to Alaska, where she lived in the wilderness for six months. She recounts, “To get into a natural environment and see the animals on their own terms is as important as knowing the animals themselves. For instance, gray wolves on the tundra—the vast, vast tundra with the wind and other forces of nature at their most extreme—that’s what makes them what they are. To stand not far from a grizzly that is so overpowering, so beautiful and so large . . . to watch it pull up a small tree with a swipe of its paw and just a few minutes later see it delicately picking blueberries with its black lips. . . Alaska changed me; it gave me the biggest incentive to paint and increased my interest in the predators: the cats, bears, coyotes, wolves and foxes. They exist on so many levels. Their moods show in their eyes and we can learn so much from them.”

 

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