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"First Impressions" by Bonnie Marris

Flip through the free Bonnie Marris eBook "Clean Linen" by Bonnie Marris


"First Impressions" by Bonnie Marris




First Impressions
by Bonnie Marris

The warmth and purity of the mother-child bond is perhaps the most perfect in nature. A newborn foal is programmed for soaking up a huge amount of information and in those first gentle moments of life, recognition between mother and newborn sets in. The mare’s nuzzling and licking stimulates the foal to stand and take nourishment. In less than an hour, the foal has risen, albeit gangly and unsteady, on legs that seem two sizes too big.

With First Impressions Bonne Marris has captured both the tenderness and power of the maternal bond. From the mare’s protective stance to her use of color and shadow, this Fine Art Limited Edition Canvas conveys a cocoon-like atmosphere of warmth and safety. The infectious passion that Bonnie has for the wilderness, animals and light and color has all come together in this exquisite work of equine art.

"First Impressions" by Bonnie Marris

 

 

Sizing and Pricing:

Greenwich Workshop
Fine Art Giclée Canvas:

limited to 45 s/n.
20"w x 20"h. $395










About Bonnie Marris

Bonnie Marris has taken an unusual path into art; she developed her talent by portraying animals “from the inside out.” While she was a student at Michigan State University, Bonnie illustrated several major books. One volume she worked on was a leading expert’s mammalogy text that contained several hundred drawings and detail studies. This massive project attracted the attention of noted zoologist George Schaller, who invited Bonnie to prepare the art for posters that would support his worldwide rare animal relief programs. Beyond academic training and emotional involvement, art requires another element for which there is no substitute: experience. Each year, Bonnie makes two major trips, and countless smaller ones, to observe and learn about the wildlife she loves. In 1980, one such voyage took her to Alaska, where she lived in the wilderness for six months. She recounts, “To get into a natural environment and see the animals on their own terms is as important as knowing the animals themselves. For instance, gray wolves on the tundra—the vast, vast tundra with the wind and other forces of nature at their most extreme—that’s what makes them what they are. To stand not far from a grizzly that is so overpowering, so beautiful and so large . . . to watch it pull up a small tree with a swipe of its paw and just a few minutes later see it delicately picking blueberries with its black lips. . . Alaska changed me; it gave me the biggest incentive to paint and increased my interest in the predators: the cats, bears, coyotes, wolves and foxes. They exist on so many levels. Their moods show in their eyes and we can learn so much from them.”

 

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