Greenwich Workshop textured canvas prints—such as Howard Terpning's Opening the Sacred Bundle—are published on a very selective basis. This unique and valuable technique replicates the look and feel of an original painting, including canvas texture and, at times, artist's brush strokes. The image is first printed by offset lithography with oil-based inks on a thin piece of oil-based material. A mold of the original painting can be used as a guide to create a feeling of brush strokes, or the artist can re-create the brush strokes. The mold is used with heat and pressure to bond the printed image to the artist-quality canvas. The resulting fine art print captures the texture as well as the image of the original and is framed without glass. No canvas transfers! Canvas transfer has become a generic term that is not the standard by which Greenwich Workshop canvas should be referred. Most transfers are a chemical process by which inks are lifted from the original medium (usually paper) to another (canvas). Most inks, papers, and printing processes were not designed for this use so there can be a breakdown in color. We cannot control the image fidelity and will not put our name on this process.